One of my biggest (and scariest!) goals for 2015 was to learn to quilt. I grew up sewing and collecting fabric, but I’d never made a quilt before. It’s no secret that I would love to design my own fabric collections one day. Part of being a fabric designer (at least for quilting cotton collections) is making them into quilt patterns and quilts, so it was something I needed to learn to advance my career professionally. It was also something I wanted to know how to do. I studied quilts a bit in college and incorporated elements of them into my painting and art work. I even made a quilt top in college (that turned out rather horribly! I wish I knew then what I know now!), stretched it, and painted on it for my abstract painting class final (it is hanging in our living room!). I love quilts and the history in them. I love the mix of fabrics and the ability to put time and effort into something that can be used to cuddle up on the couch with and also pass along to children and grandchildren. Such beautiful works of art! I had also amassed a nice collection of fabrics and needed something to do with them!

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You might remember this photo (above) that I posted on Instagram around this time last year. Last year for Christmas, I asked my dad to buy me a couple quilting books I wanted (LOVE this one) and some new fabrics from a local (to Southern IL) fabric store (the amazing Hancock’s of Paducah) to use in a quilt I wanted to make. My caption on this photo was, Love, love, love all these new fabrics that I’ll be using this year as I teach myself to quilt! #2015 #makeithappen #starttoday” I’m so happy to say that I made it happen! I not only used those fabrics above (and more from my collection) to make this value quilt, but as you already know, this past summer I attended a Patchwork Weekend Workshop at Anna Maria Horner’s Craft South in Nashville with all the designers of Cotton and Steel. I learned some additional quilting tips there and pieced my Mod Hexagon Quilt. I did all the piecing on that quilt, but was nervous to do the quilting and binding myself, so I sent it off to a lady that I met at the workshop to long-arm quilt and bind it for me. It turned out wonderfully! But I’m happy to say that on my Value Quilt, I conquered my fears and did every single bit of it myself!! I pieced it (even designing a few of the fabrics myself!), quilted it, and bound it! I’ve done a lot of cool things this year, but making this quilt is perhaps my proudest accomplishment of the year!

Here are some photos from the process (with pretty afters!):

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Pulling out fabrics from my collection and organizing them into light, medium, and dark values.

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I had to set my old desk back up in my office to have a cutting table.

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One of my greatest quilting fears was not getting the seams on the squares to line up correctly. I had a rather frightening experience with this when making the quilt top I painted on in college. But thanks to Alexia Abegg (one of the designers of Cotton and Steel), I did it! At the workshop I attended last summer, I asked her to show me her secrets to getting those intersections to line up perfectly. Turns out, it isn’t that hard! The secret is in making sure your blocks are the same size (I already knew that part), and then making sure you press your seams for the rows in opposite directions so that they nest into one another at the intersections. Before you sew, you nestle them together and pin in place. It worked wonderfully!

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I was also really worried about whether or not I would even be able to quilt this on my basic Singer sewing machine. But it worked just fine! I did simple, straight line quilting on either side of the diagonals. Quilting it on a diagonal helped to reduce some of the bulk stuck under the neck of my sewing machine. Drew helped me pin baste the quilt sandwich together (you are the best, love!).

I also have to give a shout out to JoAnn Hinkle of In Stitches in Lebanon, TN. I fell madly in love with that black and white fabric (Faye Burgos of Marcus Brothers Fabrics, Medallion Trellis in Black from her Quartette Collection). But when I went to buy more of it online for the backing, it was out of stock everywhere! I guess it isn’t in print anymore. I searched the Marcus Brother’s fabrics website for retailers of their fabrics to see if I could find someone with it in stock. There weren’t any quilt shops that had it in New Orleans, so I looked around Southern IL (my hometown). Hancock’s of Paducah didn’t have it either. So I started looking at Quilt Shops in the Nashville/Lebanon, TN area (where my older sister lives). I got in touch with JoAnn of In Stitches and she tracked it down for me at a warehouse. Thank you so, so much JoAnn!

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I had never made binding or bound a quilt before either, but it turned out wonderfully! These clips were great (there they are in a handmade bowl I threw in my ceramics studio!). The dark pink/wine colored thread that I used to hand sew the binding on the back of the quilt actually belonged to Marie, my first cousin twice removed (the daughter of my Papaw’s uncle Courtland). Her niece passed along a lot of her sewing things to me, mostly colorful spools of thread. Marie grew up on the same land that I did. Love that little extra bit of history included in this quilt.

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Drew holding the finished pieced top up in City Park in New Orleans so I could get a nice photo of the top!

And now, the after photos:

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This quilt is a memory quilt of sorts in that it contains fabrics from my collection through the years. Some of these I collected as a child for various sewing projects, some I bought in college for art projects, some I’ve collected as I’ve traveled – a cute fabric shop we went to in Portsmouth, NH on our honeymoon, some fabrics from Portland, OR, some from here, some from back home. It also contains fabrics from many of my favorite fabric designers, some of which I’ve had the opportunity to meet or get to know in the last year or two. I also designed a few of these fabrics and had them printed on Spoonflower. That rose pink floral on the eggplant background above is mine. That is a little rose I illustrated from the rosebushes we planted in the front yard of our apartment.

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The handwriting fabric, above, is my Mamaw, Evelyn’s, handwriting. It is her telling me “I love you” on a note she gave me when I was little. I turned it into a pattern and had it printed. There is also another fabric in this quilt that is my handwriting saying “I love you” back. The small blue and white check next to it is actually a bit of one of my Papaw’s shirts.

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I love the mix of colors along with bits of black and white (and metallic gold!). I have a slight obsession with black and white. I feel like you don’t see a lot of quilts that use black in them, but I love the sophistication it adds and helps to balance out the colors a bit. This quilt is so me!

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I just love the way it came out so much! I love the simple diamond pattern on the back from the quilting.

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I just finished sewing on the last bit of the binding last night. I can’t wait to snuggle up under it on the couch for movie nights! Violet loves sleeping under my last quilt, I’m curious if she’ll like this one just as much.

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The flowers my dad gave me for Christmas look so pretty with it!

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I put together this basic instruction guide on what I did, in case you want to make your own:

Value Quilt Plans.inddSome other helpful resources include: this tutorial on value quilting (with photos of some beautiful quilts), how to make binding, and how to hand sew the back of the binding.

This summer, my niece Ashley asked me if I would design a fabric for her senior Homecoming dress. She wanted a watercolor floral in pinks, purples, and blues.

I started with some quick watercolor sketches from photos I had taken last spring of my birthday peonies and some lilac photos (also from last spring) that my sisters, Blair and Jill, had sent me from their yards. Two of my favorite flowers and they don’t grow in New Orleans!

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I scanned them in to my computer, vectorized and re-colored them, then turned them into this pattern:

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We both liked it, but thought it needed less leaves and less white space to really pop on the dress. So I played around with a few more variations of it before we finally settled on this pattern:

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She had envisioned the skirt to be made of light colored tulle, so I wanted to make sure that the pattern on top was bolder and colorful.

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Then I ordered the fabric (on Spoonflower):

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I sent it to her and after a drama where it got stuck in the mail for two weeks (and we thought it was lost!), she had it made into the dress and wore it last weekend for Homecoming. I think it turned out wonderfully!

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It is so exciting to see my designs on fabric, but even more special to see them worn for a special event. I’m honored to have had a part in your senior year, Ashley!

P.S. Aren’t her and her boyfriend so cute? They remind me of Drew and I when we were in high school. So sweet! Ashley was in elementary school when Drew and I started dating! 🙂

A month or so ago, I finished piecing my Mod Hexagon Quilt that I started at the Cotton and Steel Patchwork Weekend Workshop at Anna Maria Horner’s Craft South in Nashville. I was nervous to try quilting it myself (I’ll try that on the next one!) so I sent it off to a lady I met at the workshop to have her long arm quilt it for me (Elizabeth Beck Quilts). I got it back last week and I LOVE the way it turned out!

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I used all Cotton & Steel and Anna Maria Horner fabrics. I love the way the colored bits make little paper airplanes.

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The weather has finally turned a little cooler in New Orleans, so I’ve been enjoying snuggling up with it on the couch! This is my first quilt and I’m so pleased with the experience of making something that can be used for a practical purpose. Most of my “making” has usually been painting, digital design, decorating, or sewing things like curtains. All those are lovely, but they can’t be “used” in the same way that a quilt can.
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I love how sparkly that woven Loominous fabric is by Anna Maria Horner. It is hard to capture in photos, but it person it is so glittery! I think it really makes the quilt!

Last weekend, I attended the Cotton and Steel Patchwork Weekend Workshop hosted by Anna Maria Horner at her new (and fabulous!) shop, Craft South, in Nashville, Tennessee.

Craft South is so insanely beautiful and inspiring. You can’t walk into this space and not be inspired to create. How I wish this space existed in New Orleans (or that I lived closer to Nashville!).

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I love the workshops that Craft South is putting together. So many great things happening there! (see upcoming workshops and classes here).

As you all already know, Anna Maria Horner and her fabulous fabric design skills have been an inspiration to me for quite a while (read more about that, here), so I’ve been dying to get to Craft South and take a workshop ever since she announced that it was happening (she started Craft South workshops last summer in another location and then opened Craft South the store this past May).

When I saw that she had put together a weekend workshop with all five of the founding designers of the fabulous Cotton and Steel, I jumped at the opportunity! Six amazing fabric designers all under one roof teaching me how to quilt and chatting about the industry? YES!!

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My older sister lives right outside Nashville, and we love the area, so it is always nice to have an excuse to make a visit up there. It is only a few hours from my hometown, so my parents and sisters also came down to visit while we were in town for the workshop (we had a tie-dye birthday party for my niece, Evie, while I was there too!).

I loved getting to explore the 12 South neighborhood of Nashville that Craft South is in. I hadn’t spent much time in that area before, but it is a great little area! Lots of cool restaurants and shops.

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I was a little nervous to take the workshop considering I’ve never actually made a quilt before. But I have a sewing background and I’d done some other quilting-type projects before (I made a quilt top and stretched it like a canvas to paint on in college and when I was younger I did some paper piecing), so I was prepared enough. If you remember from my goals for 2015, quilting was one of them!

I really love the way my quilt is starting out! LOVE those little paper airplanes! The quilt pattern we worked from for the workshop is the Mod Hexagon Quilt by Rashida Coleman-Hale (one of the designers for Cotton and Steel). The patterned fabrics I’m using are fat quarters of different prints from Cotton and Steel and Anna Maria Horner. For the background fabric, I’m using a metallic woven from Anna Maria’s Loominous fabric line (it is so pretty and sparkly – I wish you could see that better in the photos).

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We also learned how to make fabric yo-yos and patchwork zip and Gamaguchi pouches, but I mostly stuck to working on my quilt. I wanted to get as much as I could done while I was there. I still have quite a bit left to do. I enjoyed getting to sew on the Janome machines while I was there. Craft South is also a Janome dealer if you are in the area and looking for a new machine. If I decide to keep quilting, I will probably have to eventually upgrade my basic Singer machine, but for now I can make it work.

Here are some other photos of the workshop posted on Instagram by the Cotton and Steel designers or other workshop attendees:

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It really was such a great weekend and I’m so glad I went! All the other workshop attendees were the best and I enjoyed hanging out and sewing with them for the weekend (and learning from them!). All the designers of Cotton and Steel (Melody Miller, Rashida Coleman-Hale, Alexia Abegg, Sarah Watts, and Kim Kight) are seriously some of the nicest people I’ve ever met. It was such a treat learning from them about sewing, quilting, and the fabric design industry. I especially chatted with Melody and Alexia at dinner both nights and loved hearing about their stories, successes, and advice they had for others wanting to explore the fabric design and manufacturing industry.

If you get the opportunity to meet these amazing ladies or take a class at Craft South, do it!!

This weekend I finally finished a project (in under an hour) that I’d been talking about for the last 6 months! If you remember from several of my previous “Life Right Now” posts, I’d mentioned buying these cloth napkins from West Elm:

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They are beautiful as napkins, but I had plans to use them to make pillowcases for throw pillows in my living room. I bought them last Thanksgiving, seam ripped out the seams, washed them, and then they sat for months just waiting for me to iron them and sew into pillowcases. The hold up was with pillow forms. All the pillows that we had in the living room had poly-fill inserts. Poly-fill inserts are cheap, but over time they get flat and I feel like in general they just don’t look as nice. For these, I wanted to use down/feather pillow inserts. They are more plush, cooler to the touch, and hold their shape better (you can also give them the “chopped” look if you are into that). I found some in the size I wanted on Amazon, but when I ordered them, they sent me the wrong size. I had to return those and when I went to buy more, the price had gone up. Eventually I ended up buying some from a different seller at a great price for two 22″ pillow forms (these ones at $35 for two).

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I just love how they turned out! I love the bit of shimmer the gold sparkle adds and the way that it ties in with the gold frames on the wall. They even look fine with our green couches (that will hopefully one day be replaced with something more neutral).

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With these, I sewed a zipper in the bottom so that I can easily change them out or wash them. I wish I’d done that with those patterned teal ones I made. It was quicker to sew in the zipper than it was to hand sew that opening shut and so much more convenient! (here is an easy tutorial if you don’t know how to sew in a zipper).

You could buy enough fabric to make these for the same price or cheaper than the cloth napkins, but this is a great option if you come across a napkin fabric that you really like! Love these!

My senior year of college, I took a hand-building ceramics class because I was required to take a 3-dimensional art class for my art major. That class made me fall in love with ceramics. Don’t get me wrong, I love painting and I love digital design, but there is something so nice and rewarding about creating a 3D object with your own two hands, whether for art or function. The fact that it can often be functional is also really nice. I only have so much wall space for paintings, but can always use cups, bowls, mugs, vases, and platters (or gift them!).

Anyway, the class I took in college was a hand-building class (not wheel-throwing), so I made several platters, but mostly art pieces instead of functional ones. I made a giant artichoke (you can see it on my living room bookshelves in our house tour, here), a miniature replica of my childhood home, and a few other pieces. Unfortunately, I took the class my senior year and didn’t have a chance to continue into ceramics more than that.

Signing up for another ceramics class has been on my list of things to do for several years and this year I finally made it happen. Well actually, a friend of mine, Christina, who has an extensive ceramics background, made it happen. She wanted to get back into ceramics again and asked if I wanted to join her.

We signed up at a local studio (Earth and Fire Studio) for two hours one night a week, for two months.

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During this studio time, I decided to learn how to work on the wheel. It takes a while to get it down, but I’m so happy with the 11 pieces I made in the last couple months!

None of them are perfect (which I kind-of love), but they are all functional! The first pieces I threw are the short, fat ones (that light pink one in the back and the white speckled one in front) and then as I got better I was able to make bigger, thinner, pieces like the mugs and bowls.

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Ceramics is such a process. Cutting and wedging the clay, working on the wheel, letting things set-up and get leather-hard, carving, trimming, making and attaching handles, bisque firing, glazing, final firing. I think it is really neat how ceramics relies on all the elements – earth, water, air, and fire.

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I’m so glad I took the time to learn this new skill and to spend time with a friend while doing it. I wish I had more time and energy to keep doing it! I’ll be back again sometime!  In the meantime, I’ve been enjoying drinking my morning tea out of a nice ceramic mug I made myself!

In the last few months there were two new babies born in the family, so I used that as a good excuse to get my crochet up and going again. I made both of these granny square blankets as gifts and I love the way they turned out. For one, they weren’t finding out the gender until birth and I think that teal/mint color combo is a great gender neutral color combo (that isn’t yellow and green!).

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Classic Granny Square Baby Blanket
adapted from these directions for a basic granny square

Crochet Hook: H/8 – 5 mm
Yarn: 3 colors of your choice, one skein of each

Directions:

Chain 4; join into a ring with a slip stitch.
ROUND 1: Ch 4, (3 dc into center of ring, ch 1) 3 times; 2 dc into center of ring; join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner. Continue with the next round.
ROUND 2: Ch 3, work corner (dc2, ch1, dc3) into the same stitch, work remaining corners: *ch1, skip over the 3 dc from the previous round, (dc3, ch1, dc3) into the same stitch; repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner.  Continue with the next round.
ROUND 3: Ch 3,  work corner (dc2, ch1, dc3) into the same stitch, work remaining sides:* ch1, skip over the 3 dc from the previous round, dc3, ch1, work corner (dc3, ch1, dc3); repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner.  Continue with the next round.
ROUND 4: Ch 3,  work corner (dc2, ch1, dc3) into the same stitch, work remaining sides: *ch1, skip over the 3 dc from the previous round, dc3, ch1, skip over the 3 dc from previous round, dc3, ch1, work corner (dc3, ch1, dc3); repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch.

IF YOU WANT TO CHANGE COLORS: Cut yarn, leaving a tail, and draw it all the way through the slip stitch to secure it.  Join the new color at a corner by drawing a stitch through a ch1 stitch. Continue with the next round.

SCALLOPED BORDER: 5 dc in same stitch, slip stitch in next space, skip 1 space, then continue with next 5 dc. 7 dc in each corner scallop.

I did 18 dc rows of cream, 1 dc row of mint/pink, 7 dc rows of teal/peach, then 1 sc row of mint/pink, followed by a scalloped row of mint/pink.

ABBREVIATIONS:

dc: double crochet
sc: single crochet
sl st: slip stitch

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Last Christmas I started crocheting these little white snowflakes to put on our Christmas tree. I only did a few last year (you can see a shot of me working on them here), so this year I made a few more and turned them into ornaments for our tree. I love the way they turned out!

Crochet Snowflakes
Pattern adapted from this one.
Hook: 3.75 mm [US F-5]
Yarn: I used white cotton yarn, but any normal thickness yarn will work.

To start: Ch 5; join with a slip st to form a ring.
Round 1: Ch 1, [2 sc in ring, ch 3] 6 times; join with a slip st
in first sc – 6 ch-3 loops.
Round 2: Slip st in next sc, ch 1, [(2 sc, ch 3, 2 sc) all in ch-3
loop] 6 times; join.
Round 3: Slip st in next sc, ch 1, [(sc, ch 3, sc, ch 5, sc, ch 3,
sc) all in ch-3 loop, ch 2] 6 times; join. Fasten off.
Finish: Weave in ends.

ABBREVIATIONS: Ch = chain; mm = millimeters; sc = single crochet; st(s) = stitch (es); [ ] = work directions in brackets the number of times specified.

To turn into ornaments, lay them out on cardboard and pin the six points out with straight pins. Spray them with a couple coats of fabric stiffener/spray starch (according to bottle directions) to help them hold their shape. Once dry, loop an ornament hook through one of the points and hang them on the tree!

Last weekend, a dream of mine came true. I was able to attend Quilt Market!

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For those of you that don’t know, Quilt Market is an international trade show for the fabric industry. Manufacturers, Fabric Designers, Pattern Makers, etc. are all there with their booths decked out displaying their newest collections for shop owners to see and order fabrics for their stores. This market was in Houston, TX.

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If you’ve followed my blog or known me for a while, you might know the obsession I have with fabric, the fabric designers that I adore and have mentioned on here before, and more importantly, my dream of becoming a fabric designer one day (or more broadly, a surface pattern designer). I work full-time as a graphic designer now, and between that and my art background, it has been a long-time dream of mine to gradually move in the direction of surface pattern design. I’ve been so busy working since I finished college that I haven’t had a lot of time to put towards that dream, but lately that dream has been invigorated as I’ve taken Bonnie Christine‘s Design Surface Patterns from Scratch Course on CreativeLive. (I highly recommend her course and her Roost Tribe!)

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Bonnie Christine (above) is one of the sweetest people that I’ve ever met and I was so happy to be able to chat with her in person this weekend! She immediately felt like an old friend that I’d known forever! (Although I guess I have followed her blog for almost 5 years!) Her story is so inspirational to me as her background and goals are very similar to mine. I also just love her work (and her passion for sharing with others to help make their dreams come true too!).

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The entire market was full of inspiration everywhere. I love Leah Duncan‘s patterns and style (above). I also loved seeing Katarina Roccella‘s patterns in person as well (I didn’t get a good shot of her booth, but you can see part of it in the second picture, above). I also saw Elizabeth Olwen‘s fabrics in person for the first time here as well (I thought I got a picture of her booth, but can’t find it, so it must not have taken!). All three of those designers are pretty new to me, but I loved seeing and being inspired by their work!

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One of the highlights of my visit was getting to meet and chat with Amy Butler (probably one of the most well-known fabric designers!) and her husband. They were both so incredibly sweet and were more than happy to answer my questions about the industry and what inspires them. Amy Butler was so encouraging of my dream, she told me to work towards my passion and great things will happen!

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Anna Maria Horner (along with Heather Bailey and Sandi Henderson) was one of the first fabric designers that really caught my eye. I started following their blogs years ago and they are a good part of the reason that I also want to design fabric. It was awesome to meet Anna Maria Horner in person after all these years of being inspired by her work!

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I saw Heather Bailey‘s booth, but didn’t see her. Next time!

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Many of my favorite designers have also come out with ribbon collections. These are seriously so beautiful and I was so glad to see them in person since I don’t think they are sold in any stores around where I live.

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Aside from meeting and chatting with designers, I walked around, checking out booths of designers I’d never heard of before and just admiring all the beautiful colors and patterns. The quilts were so gorgeous, as were all the other cool things designers had made with their fabrics.

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I’m so grateful for this amazing opportunity. It gave me great insight into the fabric design industry, into how quilt market works, and the chats I had with the designers were so helpful and encouraging (and also had a good dose of reality too). It really has started to make something that always seemed like a long lost dream a truly achievable reality!

Thank you Bonnie for making it happen!

 

This Summer was the Summer I finally said “enough” to the living room paint color. I’ve wanted to paint the walls in our living room for years (I didn’t like the color and they were splotchy from being touched up with color matched paint that wasn’t perfect), but for one reason or another, had never gotten around to it. Finally, I not only painted the living room, but I finally painted the French doors in there (red isn’t my color of choice), and the foyer/dining room as well! It was a productive Summer for painting rooms!

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It seems like August is the time to work on projects in the living room for me. Last August, I added the Teal/Turquoise pillows in there, the August before that I added the photo gallery wall above the couch (which I’ve since taken down and plan to re-do soon), and the August before that, we re-arranged the space and added the Drop Cloth Curtains and TV stand (the curtains I just replaced this Summer).

Here is a little tour of our foyer/dining room & living room now:

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We still LOVE the plant/console table we built ourselves (one of our favorite things in the house!). Curtains are from Pottery Barn Teen, which I love, but I’m a little disappointed in them. They weren’t cheap (they were my Valentine’s Day present one year, lol!) and they’ve faded quite a bit, especially in certain spots. Dining room table is from the Nashville flea market, dining chairs are vintage, rug and baskets on the console table are from Target, milk glass bowl, old Reader’s Digest books, small white cabinet were thrifted, wood stump was the cake stand at our wedding, black lamp was given to us by Drew’s mom and then I gave it a makeover, Self-Portrait woodcut  and small abstracts are done by me, the glass jar candles on the table and console are from our wedding, door wreath I made, and gold plant pot is from Home Depot that I painted gold.

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I really love how the color on the walls came out in here. It’s a nice taupe-y grey (Smoked Oyster by Valspar in a Satin finish). It’s two shades darker on the same paint swatch card as the color in the living room, so they tie in well together. All the windows in this room really play well into having a slightly darker color on the walls. I love how it makes the art and trim pop.

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I’m so happy that the entire house isn’t painted the same fleshy-red-tan color anymore!

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I finally replaced our Drop Cloth Drapes with some simple white curtains (I made these out of white twin bed sheets I ordered online for super cheap!) I love how the white brightens the room up! I was tired of the dull tan of the drop cloths and the seam down the middle of them always bothered me. They served us well for several years though!

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I LOVE the French doors in black. I think they make such a pretty and dramatic statement. I love that they are a neutral color that allows my art and accessories to really shine. I didn’t love the red before because I don’t use the color red very often and I felt like they didn’t go with the rest of our house.

Couch and loveseat are from Compass Furniture in New Orleans, television/media cabinet is from Target, white bookcase is from IKEA, painting above loveseat was a wedding gift from my sister and her husband (by New Orleans artist Adam Hall), big turquoise velvet couch pillows are from World Market, teal and patterned pillows I made from World Market cloth napkins (these and these), light blue pedestal side table next to loveseat is from Nadeau in New Orleans, cream and white damask throw, wire basket (filled with yarn on bookshelf), remote box, and wooden @ symbol from TJ Maxx, floor lamp is from Lowe’s, silver table lamp is from Compass Furniture (scored it for $15 with a Living Social Deal!),  8×10 area rug from Lowe’s (scored it for $15!), wooden ladder and quilts were thrifted, beads are from Mardi Gras parades, basket (with magazines in it behind the french doors) was a wedding gift, landscape painting on the bookshelf was a wedding gift (painted my Drew’s mom’s good friend and my 8th grade teacher!), globe was mine from when I was little bought for me by my Mamaw, the chalkboard message board was from our wedding (originally from here), small pink table is from Target, and the abstract paintings and ceramic artichoke were made by me.

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The coffee table/bench is also new! When my childhood best friend, Tonya, and her husband, Peter, were visiting New Orleans this Summer, we spent one evening in the French Quarter eating and walking in antique shops before heading to the Frenchmen Art Market and to listen to some music on Frenchmen Street. In one of the little shops we walked into, I found this wooden table base (without a top) and we bought it for $30. I cleaned it up and rubbed it down with some coconut oil, and Drew and I made a tufted table/bench top for it out of wood, foam, linen fabric and fabric covered buttons. It was an exhausting project (much more so than I had expected), but I’m pleased with how it turned out!

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The wall color in here is Asiago by Valspar in a Satin finish. I wanted something that was almost white, but had a soft white creaminess to it (to go with the trim that looks white, but is really pretty creamy-off-white). I love how this color turned out. It brightens up this room and I think it is really going to look great with the new gallery wall I have planned for above the sofa! I really love how it looks with the black French doors (I’m loving the high contrast of black and white these days) and the color in the foyer/dining room too.

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Last, but not least, this photo is of the small little hallway at the back of the house (right off the long hallway that spans down most of our apartment). It leads to the bathroom and our bedroom. We painted it Semi-Sweet by Valspar (also in a Satin finish) this Summer as well. I think it looks great! Dark and moody and works so well with all the white trim and the fact that the bathroom right next to it is full of white tile, white walls, white sink/toilet/tub, etc. The art in the white frames pop off this wall so perfectly! It makes this little space feel more like a “room” and less of just a pass-through space.

I’m so happy that after 3 1/2 years of living in this apartment, we have finally painted some walls! Only $30 for a gallon of paint and a few hours of time, I don’t know why I put it off for so long!