In the last few months there were two new babies born in the family, so I used that as a good excuse to get my crochet up and going again. I made both of these granny square blankets as gifts and I love the way they turned out. For one, they weren’t finding out the gender until birth and I think that teal/mint color combo is a great gender neutral color combo (that isn’t yellow and green!).

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Classic Granny Square Baby Blanket
adapted from these directions for a basic granny square

Crochet Hook: H/8 – 5 mm
Yarn: 3 colors of your choice, one skein of each

Directions:

Chain 4; join into a ring with a slip stitch.
ROUND 1: Ch 4, (3 dc into center of ring, ch 1) 3 times; 2 dc into center of ring; join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner. Continue with the next round.
ROUND 2: Ch 3, work corner (dc2, ch1, dc3) into the same stitch, work remaining corners: *ch1, skip over the 3 dc from the previous round, (dc3, ch1, dc3) into the same stitch; repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner.  Continue with the next round.
ROUND 3: Ch 3,  work corner (dc2, ch1, dc3) into the same stitch, work remaining sides:* ch1, skip over the 3 dc from the previous round, dc3, ch1, work corner (dc3, ch1, dc3); repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch. Slip stitch from the end of the round until you reach the ch1 stitch at a corner.  Continue with the next round.
ROUND 4: Ch 3,  work corner (dc2, ch1, dc3) into the same stitch, work remaining sides: *ch1, skip over the 3 dc from the previous round, dc3, ch1, skip over the 3 dc from previous round, dc3, ch1, work corner (dc3, ch1, dc3); repeat from * two more times, ch1, join to third chain of beginning chain with a slip stitch.

IF YOU WANT TO CHANGE COLORS: Cut yarn, leaving a tail, and draw it all the way through the slip stitch to secure it.  Join the new color at a corner by drawing a stitch through a ch1 stitch. Continue with the next round.

SCALLOPED BORDER: 5 dc in same stitch, slip stitch in next space, skip 1 space, then continue with next 5 dc. 7 dc in each corner scallop.

I did 18 dc rows of cream, 1 dc row of mint/pink, 7 dc rows of teal/peach, then 1 sc row of mint/pink, followed by a scalloped row of mint/pink.

ABBREVIATIONS:

dc: double crochet
sc: single crochet
sl st: slip stitch

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Last Christmas I started crocheting these little white snowflakes to put on our Christmas tree. I only did a few last year (you can see a shot of me working on them here), so this year I made a few more and turned them into ornaments for our tree. I love the way they turned out!

Crochet Snowflakes
Pattern adapted from this one.
Hook: 3.75 mm [US F-5]
Yarn: I used white cotton yarn, but any normal thickness yarn will work.

To start: Ch 5; join with a slip st to form a ring.
Round 1: Ch 1, [2 sc in ring, ch 3] 6 times; join with a slip st
in first sc – 6 ch-3 loops.
Round 2: Slip st in next sc, ch 1, [(2 sc, ch 3, 2 sc) all in ch-3
loop] 6 times; join.
Round 3: Slip st in next sc, ch 1, [(sc, ch 3, sc, ch 5, sc, ch 3,
sc) all in ch-3 loop, ch 2] 6 times; join. Fasten off.
Finish: Weave in ends.

ABBREVIATIONS: Ch = chain; mm = millimeters; sc = single crochet; st(s) = stitch (es); [ ] = work directions in brackets the number of times specified.

To turn into ornaments, lay them out on cardboard and pin the six points out with straight pins. Spray them with a couple coats of fabric stiffener/spray starch (according to bottle directions) to help them hold their shape. Once dry, loop an ornament hook through one of the points and hang them on the tree!

Last weekend, a dream of mine came true. I was able to attend Quilt Market!

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For those of you that don’t know, Quilt Market is an international trade show for the fabric industry. Manufacturers, Fabric Designers, Pattern Makers, etc. are all there with their booths decked out displaying their newest collections for shop owners to see and order fabrics for their stores. This market was in Houston, TX.

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If you’ve followed my blog or known me for a while, you might know the obsession I have with fabric, the fabric designers that I adore and have mentioned on here before, and more importantly, my dream of becoming a fabric designer one day (or more broadly, a surface pattern designer). I work full-time as a graphic designer now, and between that and my art background, it has been a long-time dream of mine to gradually move in the direction of surface pattern design. I’ve been so busy working since I finished college that I haven’t had a lot of time to put towards that dream, but lately that dream has been invigorated as I’ve taken Bonnie Christine‘s Design Surface Patterns from Scratch Course on CreativeLive. (I highly recommend her course and her Roost Tribe!)

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Bonnie Christine (above) is one of the sweetest people that I’ve ever met and I was so happy to be able to chat with her in person this weekend! She immediately felt like an old friend that I’d known forever! (Although I guess I have followed her blog for almost 5 years!) Her story is so inspirational to me as her background and goals are very similar to mine. I also just love her work (and her passion for sharing with others to help make their dreams come true too!).

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The entire market was full of inspiration everywhere. I love Leah Duncan‘s patterns and style (above). I also loved seeing Katarina Roccella‘s patterns in person as well (I didn’t get a good shot of her booth, but you can see part of it in the second picture, above). I also saw Elizabeth Olwen‘s fabrics in person for the first time here as well (I thought I got a picture of her booth, but can’t find it, so it must not have taken!). All three of those designers are pretty new to me, but I loved seeing and being inspired by their work!

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One of the highlights of my visit was getting to meet and chat with Amy Butler (probably one of the most well-known fabric designers!) and her husband. They were both so incredibly sweet and were more than happy to answer my questions about the industry and what inspires them. Amy Butler was so encouraging of my dream, she told me to work towards my passion and great things will happen!

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Anna Maria Horner (along with Heather Bailey and Sandi Henderson) was one of the first fabric designers that really caught my eye. I started following their blogs years ago and they are a good part of the reason that I also want to design fabric. It was awesome to meet Anna Maria Horner in person after all these years of being inspired by her work!

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I saw Heather Bailey‘s booth, but didn’t see her. Next time!

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Many of my favorite designers have also come out with ribbon collections. These are seriously so beautiful and I was so glad to see them in person since I don’t think they are sold in any stores around where I live.

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Aside from meeting and chatting with designers, I walked around, checking out booths of designers I’d never heard of before and just admiring all the beautiful colors and patterns. The quilts were so gorgeous, as were all the other cool things designers had made with their fabrics.

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I’m so grateful for this amazing opportunity. It gave me great insight into the fabric design industry, into how quilt market works, and the chats I had with the designers were so helpful and encouraging (and also had a good dose of reality too). It really has started to make something that always seemed like a long lost dream a truly achievable reality!

Thank you Bonnie for making it happen!

 

One of the things I learned in art school is that, as a creative professional, it is important to surround yourself with work (specifically by other artists/creative persons) that inspires you. Your work becomes better by looking at other artist’s work and thinking through their processes, studying their compositions, color combinations, flow, brush marks, lines, movement, etc. I love using Pinterest and Instagram to follow and pin work of artists I love, but I find that it is most helpful to have that inspiration close at hand (in physical rather than digital form) in my studio/office space.

When I was in college, I turned an old thrift store ornate frame I had into a inspiration board (see here in my Tulane studio and again here, here, and here in my home studio). I loved having my inspirations close by, but it was a really small surface area and I was constantly having to pick my favorites to put on it. For a while I’ve wanted to build something a little bigger than that, but I just hadn’t decided on what. Should this one be another fabric-covered cork board or should I look into a large piece of metal to make a magnetic one? I was talking through my ideas with Drew one evening and he was all like, “Don’t you have a bunch of washi tape? Why don’t you just tape them to the wall?” Well hello, genius!

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I had an empty wall in my studio just sitting there waiting for all these beautiful photos!

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Washi tape is great for this because it holds the images up nicely, but is also easily removable without damaging any walls. I love that the tape can add a little extra color/pattern to it all as well.

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My placement got a little crooked but I don’t care. That is the imperfect beauty of it. The only bad part is that the only wall space I had for this was next to my desk area, which is across the room from my painting studio area. I wish I could have these right next to me when I paint, instead of across the room, but this solution is still better than what I had before. Plus, I still have extra space to expand with more inspiration in the future. No more having to pick favorites!

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Aren’t all of these pieces just gorgeous? I have a few paintings and prints by these artists, but I wish I could buy them all!

Since there are so many images, it is too hard to list sources in a clearly labeled and legible way on here, so if you want to know what artist a particular painting on here is by, check out my “art” board on Pinterest, which includes the photos and links to the artists, or comment about which one you are wondering about and I’ll give you the info. They are all fabulous artists so go check out their websites and follow them on Instagram or through their blogs!

What inspires you? What are your favorite artists?

P.S. These inspiration images are for inspiration only! Never copy another artist’s work and make sure you keep track of the artists that you are inspired by to give them proper credit.

As you may remember from my mention in this post, I was part of an art exhibition in New Orleans this past June. It was sponsored by RAW Artists and you can see my RAW profile here. It was a long and crowded evening downtown with a variety of art and entertainment. There were visual/fine artists, jewelry artisans, music performances, fashion shows, and performance art. It was an interesting evening, but I’m happy I had the chance to participate.

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The best part of the show was that it really pushed me to create new work. The top nine paintings on fabric/canvas were new for this show. The only ones I’d shown before were the small framed ones from my BA Exhibition. It was also great to have this show as a push to work on updating my branding.

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Lots of family and friends either came out to the show or expressed their support which really means a lot! If you weren’t able to make it, watch the video below to hear a little more about my inspiration or read my artist statement below.

 

 

 My artist statement:

I have always had a love for art, a desire to create, and a passion for making things beautiful.

“I AM GOING TO MAKE EVERYTHING AROUND ME BEAUTIFUL — THAT WILL BE MY LIFE.”    —ELSIE DE WOLFE

As both a person and an artist, the world of my childhood—growing up in the country surrounded by nature—has always been my biggest inspiration. The organic forms, deep, complex colors, rich contrast—the ever-changing landscape is endless inspiration to me. I grew up in rural Southern Illinois on land that has been passed down through my family for generations. Before I started school, I spent every day with my grandmother, who encouraged my love of watercolor painting and being creative and who established the foundation for my personality and moral beliefs. My grandpa wrote stories, fished every day, and grew a huge garden that I helped him harvest. I loved snapping off the ripe asparagus, helping my grandma cook, and feeling the country breeze while laying in the hammock in their backyard. Just down the road was my own house, where I climbed trees and ran through the creek with my sisters and brother, helped my dad work in the yard and feed our chickens, and helped my mom plant flowers and herbs, cook and bake. Throughout my childhood, my mom imparted to me her creative knowledge—sewing, hand embroidery, cross-stitch, smocking, machine embroidery, knitting, crocheting, and basket weaving. This home-made, home-grown, down-to-earth, appreciate-the-simple-beauty upbringing encouraged me to develop a simple and creative life that I still strive to maintain.

“IF I WERE CALLED UPON TO DEFINE BRIEFLY THE WORD “ART,” I SHOULD CALL IT THE REPRODUCTION OF WHAT THE SENSES PERCEIVE IN NATURE, SEEN THROUGH THE VEIL OF THE SOUL.” —PAUL CEZANNE

Living in New Orleans over the last several years and finally having a space to call my own has also given great influence to my work. There is no other city like New Orleans with its rich history, abundant nature, brightly colored houses rich with architectural detail, and vibrant color combinations. I’m so intrigued by the color harmonies found in the world around me, particularly those that can be soothing and exciting at the same time.  I’ve always associated certain colors with particular things—days, people, memories—and I enjoy exploring those connections through my work. My first love has always been painting, but I enjoy mixing mediums and incorporating drawing, pastel, fabric, sewing, embroidery, quilting and pattern into my work, exploring how those elements can intertwine with paint to create images. One of my aesthetic and conceptual goals is to somehow marry all these different elements—mixed mediums, neutral and bright color combinations, the contrast of subtle and bold, thick and thin brushstrokes, paint drips, pattern, lines, shapes, nature and the domestic world—into a quilt of sorts, all parts orchestrated together to create an abstract moment of beauty, a complex image made up of simple parts.

“THE MAIN THING IS TO BE MOVED, TO LOVE, TO HOPE, TO TREMBLE, TO LIVE.” —AUGUSTE RODIN

As pretty as most of my inspiration is, not all areas of life are picture perfect. Often the greatest and most meaningful moments of our lives are also seeped with sadness, hurt, sorrow and loss. My art aims to tell these stories and explore these personal histories—the good, the bad, the beautiful and the I’d-rather-forget—illustrating the struggle, but choosing to see the good in those memories, moments, periods and people, choosing the kind word over the bitter one, letting the good overshadow the bad, living a positive and uplifting life despite the circumstances, seeing the beauty in the imperfect, and focusing on a heart of gratitude for the beautiful imperfections in these moments and in our lives. I want to take those moments and turn them into something both beautiful and tangible, to inspire and uplift through the expressive form of grace, the way only art can do.

If you want to check out more of my artwork, you can visit my portfolio website, here.

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Last week I shared our recent office makeover, including the DIY 12-ft long double desk we built. Today I’m here to give you the how-to so that you can build your own.

This really is a pretty simple DIY project (especially compared to our DIY Old Door Console Table that we built from scratch), that even the less-DIY-savvy of you can do pretty easily.

I had been thinking about this project for a while, so I already had an idea of what I wanted (here are some similar desks that I used for inspiration: thisthis and this), so I measured our space to see what would work best and then made this quick sketch to show Drew. He was on board immediately (he was ready to overtake the room that had long been only my office) and we came up with a plan.

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We started with a trip to IKEA (the closest IKEA to New Orleans is in Houston, TX, so we made a weekend trip of it), where we purchased three of these BESTA bookcases, along with these feet for the bottom of them (the BESTA bookcases have a variety of feet options, so you can change up your look if you want something different).  ***SEE UPDATE AT THE BOTTOM OF THIS POST FOR UPDATED INFORMATION ON THE BESTA PRODUCT LINE & LINKS.

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Once we were home, we cleaned out the room, painted it, and then put our bookcases together and placed them where we wanted them in the room. The spacing of our room turned out perfect for these! We set those couple boards on top to mimic the desktop, just to make sure the height would be okay. It really depends on the height of your chair, but for me, the desktop is a touch higher than I would have made it for myself. However, I’m sharing this desk with my husband, who is a big guy, and the height is perfect for him. (I’ve been sitting on a pillow in my chair, which makes it the perfect height, but I’m going to look for a taller office chair at some point.) You might find that you don’t actually need the legs on them to be the right height for you. (The BESTA Bookcases without legs are about 25 1/4 inches tall, with legs ours are 29 1/4 inches tall.) With the desk top attached, our desk turned out to be a total of 31 inches high.

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Next, we made our final plans for the top, measuring to see how long we wanted our desktop to be. Our wall is about 12 feet long and we wanted the desk to be slightly shorter than that, to give it room to actually fit in the space (it is a free-standing desk, not a built-in, so it doesn’t need to be completely flush against both walls). We decided 140 inches long would be perfect for us. We made a trip to Lowe’s and bought three 2x8x12 untreated pine boards and had them cut down in-store to 140 inches. When choosing boards, make sure you lay them flat on the ground in the store and pick ones that are as flat/straight as you can find. (We had some issues with one of our boards being warped because we didn’t check them well enough in the store!) After we got them home, we gave them a good sanding to smooth the surface and also to remove any stamps/marks on the wood. Make sure to also wipe them down and remove any dirt/dust before staining.

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We are still really happy with the finish of the top of our Old Door Console Table, so we used the same method and same stain for this project as well. We used Minwax Pre-Stain Wood Conditioner, 2 coats of Minwax Wood Stain in Dark Walnut, and (later, after the desk top was attached) we gave it three coats of Rustoleum Water-Based Polyurethane in a Satin finish.

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I would recommend staining your wood outside or in some other well-ventilated area. Since we live in an apartment, we were forced to do this inside (with the windows open and a fan blowing the smell out), but it was still pretty stinky. After the stain has cured for a day or two, then you can start attaching the top boards together.

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We used these long metal connector bars that we found at Lowe’s. We used 4– one on each end of the desk and one in each open space (where our chairs go). Make sure you pull the boards together as you screw these in, to prevent large gaps between the boards.

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Once we had the top boards connected together, we measured out our bookcases, put them in the right places, then set the wooden top on top of them. We left a couple inch overhang on each end and each open chair space is 32 inches. The bookcases are only 15 1/2 inches deep, whereas our top is 22 inches deep, so there is a 3/4 inch overhang on the front lip of the desk and about 5 1/2 inches of space left behind each bookcase (which has turned out great for storage of art materials!).

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Once we had everything situated where we wanted it, we used these small L brackets to attach the top to the bookcases. There is a slight gap between the bookcases and the top on ours to accommodate the curvature of the wood (no wood is perfectly flat!), but when making your own, you might find that you don’t end up with as big of a gap there (one of our boards was slightly warped). The weight of the wood also holds the top down, so we didn’t think it needed more attaching than a few of these on each side of the bookcases.

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After everything was attached and together, I gave the top 3 coats of Satin finish Poly and let that cure for a few days.

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So happy with how it turned out! It is the perfect space for Drew and I to work. We each have plenty of storage space in the bookcases and lots of work space on top (with plenty of space between us so we don’t bother each other while working either!).

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It also makes the perfect use of the space in this room. It might be a 12 foot long desk, but it doesn’t feel like it takes up very much space in the room! I still have room for my easel/art stuff on the other side of the room with plenty of open floor space to spread out in the floor if I’m working on a crafting project.

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See more images of the room, here.

Budget Breakdown:

IKEA (BESTA Bookcases ($46.75 x 3 = $140.25) and BESTA Legs ($8.50 a pair x 6 = $51.00) family discount pricing + 15.78 tax) : $207.03
Wood for desk top (3 2x8x12 boards at $7.43 each): $22.29
Metal Connector Bars (4 at $2.80 each): $11.20
Metal L Brackets (3 packs of 4 at $2.27 each): $6.81
Stain/Wood Conditioner/Polyurethane/Foam Brushes: already owned (but would be around $30 to purchase if you didn’t already own these)
Screws, Sandpaper, etc… already owned (but would be around $10 to purchase if you didn’t already own these)

TOTAL: $247.33 

$250 isn’t bad for a 12-foot long desk for two! Plus we sold Drew’s old desk on Craigslist for $100, so that brings our out-of-pocket cost down to under $150!

One of my favorite projects that we’ve done together and we are already getting a ton of use out of it! Yay for pretty projects that increase our productivity!

P.S. We did plan ahead and made sure that whatever connecting methods we used (the metal connector bars and L brackets) could be disassembled rather easily in the future to move to a different house. We also thought ahead before we bought our 12 ft long boards and measured to make sure that we could even get them in the house. Some things that you also might want to consider before building!

***UPDATE 12/3/15: Several people have asked if IKEA still carries the BESTA bookcases, since my original links above don’t work. IKEA still does carry them, but they have changed a bit. When we bought ours, the frame and shelves came together as a “bookcase” that you could choose to add feet to, but now they come in different parts so that you can customize/build the exact piece you want (they have doors and drawers available instead of just shelves!). You buy the frame, shelves, doors, drawers, feet, etc. separately. I believe this frame is the equivalent of what I have: http://www.ikea.com/us/en/catalog/products/20245964/#/30245850But here are some other helpful links:

Frames (different sizes): http://www.ikea.com/us/en/catalog/categories/departments/living_room/12151/
Doors and Drawer fronts (different sizes): http://www.ikea.com/us/en/catalog/categories/departments/living_room/12152/
Interior fittings: http://www.ikea.com/us/en/catalog/categories/departments/living_room/12158/
Accessories: http://www.ikea.com/us/en/catalog/categories/departments/living_room/12159/

Much of my time over the last few months of this past semester were spent here:

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This was my studio space in the Advanced Painting room at Tulane. I shared this room with several other pretty cool people (and pretty awesome artists). Our end goal was to produce a body of work for our end-of-the-year, Bachelor of Arts Exhibition. Our exhibition was up in the Carroll Gallery at Tulane from May 9th-May 17th.

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It was a really awesome experience to have my work shown in a gallery. Here is my final exhibition, a quilt series of twenty-four (I actually did more, these were just the ones I ended up showing) abstract landscape paintings, painted on cotton quilting fabric, some fabrics sewn together, and some including machine and hand embroidery.

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My artist statement:

I grew up in rural Southern Illinois on land that has been passed down through my family for generations. Before I started school, I spent every day with my grandmother, who encouraged my love of watercolor painting and being creative and who established the foundation for my personality and moral beliefs. My grandpa wrote stories, fished everyday, and grew a huge garden that I helped him harvest. I loved snapping off the ripe asparagus, helping my grandma cook, and laying in the hammock in their backyard. Just down the road was my own house, where I climbed trees and ran through the creek with my sisters and brother, helped my dad work in the yard and feed our chickens, and helped my mom plant flowers and herbs, cook and bake. Throughout my childhood, my mom imparted to me her creative knowledge – sewing, hand embroidery, cross-stitch, smocking, machine embroidery, knitting, crocheting, and basket weaving.

After moving to New Orleans for college, I started thinking more about my own childhood and the different backgrounds of those around me.  I began to really question the idea around our sense of place—how people live, where they live, why they live there—the spaces people create for themselves. How do these places impact our personalities and our interests? During this time, I also developed a love for interior design—a way to carve out a space for myself that felt comfortable and familiar, a place where I could mix my former and current worlds in a way that was also beautiful and intriguing.

My art aims to capture a sense of personal history, exploring both the past and the present, questioning the differences in the city and the country, and highlighting domestic pursuits and interior spaces and exploring their connection with the natural world. I’m interested in the juxtaposition of interior and exterior spaces—nature and domesticity, home and homestead, city and country—but also interested in how they work together and are innately connected. Because of my upbringing, I’m very interested in the use of sewing, embroidery, quilting, fabric and pattern and how those elements can intertwine with paint to create images. I’m also interested in the elements that make up interiors—paint, fabric and textiles, wood textures, natural elements, metal finishes—and how many of those elements find their roots in the natural—cotton, linen, wood, and minerals. One of my aesthetic and conceptual goals is to somehow marry interior and natural elements into a single image, developing a quilt of sorts, that evokes a feeling of comfort, sentiment, and history that an interior of a home or a familiar natural setting provides.

If you want to check out more of my artwork, you can visit my portfolio website, here.

To check out work from the other artists showing with me, visit our exhibition website, here.

Or as we like to call it, our “foyer plant table.” Yes, the whole idea for this table came about because we needed a long, skinny table to go underneath the arched windows in our foyer to put several of our houseplants on. They weren’t getting enough light in other places in the house and these are the only windows in our house without window treatments on them. So we did indeed build an entire table for our plants (that would also provide much needed storage for Drew’s office and electronic equipment). I think it turned out pretty awesome. In fact, it might be my favorite home project we’ve done so far.

My first thought was that we might be able to make the top out of old, long shutters. But thinking upon it further, we didn’t think that the slats in shutters would be a good idea to hold any weight for the top of a table. Since we just finished updating our old door headboard, we thought about using an old door or maybe cutting one in half to work for the skinny top. Then we remembered that many old buildings in New Orleans have two skinny doors that open instead of one big one, so we were hoping that just maybe, we might be able to find one of those old doors.

Around the 4th of July, Drew’s parents were in New Orleans visiting us and Drew’s mom mentioned that she was needing some white subway tiles to do a project with the kids in bible school. I told her that instead of buying new ones, she should check out The Green Project here to see if she could find any used ones instead. The Green Project sells reclaimed materials taken out of or donated by people from homes in New Orleans. They keep those materials out of landfills and allow others to purchase them cheaply to reuse in other projects. They have old doors, windows, kitchen cabinets, paint, tiles, etc. The next day we headed out there to look for her tiles and I remembered my door table idea. I took off for the door section and found this beauty:

It was in great shape. I don’t know what it might have been used for before, but there were no hardware holes and the wood was unfinished. It only had a few dings in it and was super dirty.  They did have several other options that were more rustic and had actually been used as doors, but we thought this wood was more of a blank canvas for our project. For $28 and an uncomfortable ride home (with 4 people in the car with it), she was ours.

Then came time to draw up plans for a pretty new foyer table:

I sketched this out, Drew and I talked about different ways we could construct it, then we measured our foyer windows to see how tall we wanted it, came up with some measurements and decided how much wood we would need and then we set off for the hardware store.

Of course, the saw in our local Lowe’s was out of order again, so we ended up buying the wood, then having to cut it at home. In case you are new to this blog and missed the makeover of our old door headboard this summer, we realized when doing that project that we didn’t have any plug-ins on the outside of our house to use for construction projects. We live on the second story and an extension cord long enough to reach out our windows and down to the front yard was going to cost us almost $100, so this entire project — cutting wood, sanding, staining, sealing, painting, etc… all took place inside our house in our foyer. (Talk about a huge mess!)

Anyway, here are the measurements for our finished table, in case you decide to follow along and make one yourself:

Final table measurements: 35 1/4 inches tall, 58 inches long (top) or 55 inches long (leg to leg — length of base of table) and 16 inches wide (top) or 13 inches wide (base)

Door top: (we cut it down to) 58 inches long, 16 in wide, 1 1/4 in thick

Legs: we used 4 (1×3’s) and 4 (1×2’s) all cut to 34 inches long (or whatever height you want your table to be minus the thickness of the top)

Top runner/support beam: 2 (1×3’s) cut to 13 inches long & 2 (1×3’s) cut to 56 1/4 inches long  ***as you will see in the instructions below, we actually made a mistake and in order to fix it, did this backwards, but it would look better if using these measurements*** 

Shelves: 2 (1×12’s) cut to 53 1/4 inches long

Underneath supports for top: 2 (1×2’s) & 1 (1×3) all cut to 11 1/4 inches (or whatever width your shelves are)

Shelf supports: 4 (1×2’s) cut to 11 1/4 inches (or however wide your shelves are)

***Keep in mind that a (1×3) board is not actually 1 inch by 3 inches. In reality it is more like 3/4 inch by 2 3/4 inches. Same with a (1×2). Our (1×12) shelf boards that are essentially supposed to be 12 inches wide are in fact 11 1/4 inches wide (hence the measurements above), so be sure to take the actual measurements of the wood into consideration when deciding on your final table measurements. (We found it was actually easier that we cut all our wood at home that way we could visualize how long each piece needed to be and everything before we cut it — as opposed to handing a list of cuts over to the Lowe’s employee to cut for you.)

Perhaps this image will help all those details above make a little more sense:

For determining the size & measurements of your table: First off, find your top. If you can’t find an old door that fits the size you want, you can also buy a different kind of wood and rip it to fit your desired measurements. Whatever you end up deciding to use, cut it to whatever size you want it to be. Then decide how tall you want your table to be. Make sure to subtract the thickness of the top of the table from whatever your desired height is and that is how long you should cut all the boards to make your legs. Also remember when deciding on measurements for your base that for the table to look nice, you want the top of the table to overhang the base by a little bit. I chose to have mine overhang 3/4 of an inch on each side.

Anyway, let’s get on with the actual building process: (disclaimer — we were building this in the evening, so sorry for the not-so-great lighting of these photos and our less-than-glamorous mess of a foyer)

Here is our door, ready to be cut. We used our dining room table, lined with towels and clamps to keep it from moving while being cut. As you can see, the door we bought had a longer space at the bottom and a small little inset area at the top. Since I wanted the top of our table to be symmetrical, I cut those parts off. That alone determined the 58 inch length of our table top.

Here you can see my cut line all marked. I used a t-square ruler to make sure that all my lines were straight and the angles correct.

Here it is all cut! Drew used a simple jigsaw to make all the cuts we needed during this project. He kept the cuts really straight for a jigsaw! (If you have a better workshop or an outdoor space, a circular or miter saw would have probably been more ideal.)

Another cut on the other side and we have a lovely top for our table!

Then, of course, we had a million other cuts to make before we ended up with all our boards ready for assembly!

Just a quick note on types of wood to use. So the basic grade pine (regular 2×4 stuff) I’ve found to be a pain to work with a lot of times. It is a harder wood, but it is generally really knotty (which sometimes makes it hard to cut/screw) and it tends to be really bowed and mis-shapen. It is impossible to find nice, straight-ish boards to build something out of. For this project, we upgraded (which cost a little more) to poplar boards. They are a bit softer of a wood, but they are much easier to work with, are much easier to find boards that aren’t so crooked, and I think they lead to a nicer, finished product. For this table, since it isn’t holding a ton of weight, poplar is fine. If you really want a top-of-the-line, as sturdy as possible table, then go for oak boards (since they are nicer boards and also a harder wood). Just be aware that you will be paying quite a bit more for oak.

Anyway, now that all of our boards are cut, on to assembly:

Drew started by making the legs. To end up with wide v-shaped legs like these, we attached a (1×2) and a (1×3) together at a right angle. Drew clamped them together to get them all lined up and then just put in several screws all down the length. Do this with all 4 legs. Make sure to be consistent and keep the (1×3) for the front of each leg and the (1×2) for the side of the leg.

A small side note on screwing as well: to aid in a better looking finished product, countersink your screws. You can get a special bit for that, or you can just use a smaller drill bit to make your initial hole, then use a wider one to create a little dip at the opening for your screw to sit into. This allows the screw to be deeper into the wood and makes it easier to putty over your holes and sand down for a flush, seamless finished product. (If you still don’t know what to do — just google “countersinking screws” and I’m sure you can find a better explanation than mine.)

After all four legs are made, next comes time to attach the legs to the top runner/support beams. To make sure we had our measurements all correct, we laid one of our shelves on the ground and build this part around it. That way we knew for sure that everything was the correct distance apart to fit our shelves. As you can see above, the legs just get screwed into the runner/support beams.

The same with the runner/support beams on the short sides. Here is where we made a mistake with our cuts (and I put what the actual measurements should have been in the list of measurements above). I wasn’t thinking and I forgot when we cut the longer runner/support beams that they should overhang the legs on each side to allow the end/short side support beams to fit inside the overhang. It wasn’t a big deal and we just cut the shorter ones to overhang and line up with the front supports, but I think the finished product would have looked a little nicer if the front runner/support beam was seamless instead of having the seam where the side runners met it.

Once we got all those attached, we were getting excited that it was actually starting to resemble something!

Then we flipped it over, right side up. We still kept the shelf board sitting on the ground in the middle to make sure everything was the correct distance apart. Keep in mind that shelf isn’t attached to anything yet.

Next came time for the shelf supports. This part is totally up to you to determine where you want these to go and how far apart you want your shelves to be. For the height of my table, I had the bottom shelf be 3 1/2 inches off the ground and I allowed 13 1/4 inches between each shelf. Keep in mind when attaching these shelf supports that the actual shelf will sit on these, so when determining your measurements and making your marks, you want this support to be underneath the measurement for where you want the shelf to be. For example, I wanted the bottom shelf to be 3 1/2 inches off the ground, so I made my mark for 3 1/2 inches up, then another for 3/4 inch down from that (the width of my board) and those are the guidelines I used for where the support should go. Also make sure that you use a level when attaching these! You don’t want these to be crooked.

Bottom shelf supports on!

Working on second shelf supports! Keep in mind that since our shelves were 11 1/4 inches wide and we had a 13 1/4 inch gap between each shelf, we could easily turn the shelves on their side and slide them in through the side opening to put them in place. If you build a shorter table with less space in between each shelf, you might have to add each shelf in before placing the other shelf supports on or you won’t have any way to get your shelves in!

Shelves all in! We didn’t actually screw the shelves themselves in, because I thought it would be easier to paint them if they weren’t attached and I could remove them and paint them separately. Even after I painted them, we still didn’t screw them in. They fit really snug and are weighed down by anything sitting on the shelves, so there really isn’t any reason to have to attach them. If you are worried about it though, you can easily screw them in from below through the shelf supports (just make sure that your screws are the right length and aren’t going to go through to the top side of the shelf).

The base here is pretty much complete. We had to stop there for the night, since we live in an apartment and didn’t want to wake the neighbors by making too much noise late at night.

The next day we finished up the last little bit. Here is one of the top supports clamped in place. Drew actually had to go get longer screws to be able to screw these into place. In the measurements list above, I said to use (1×2’s) for these. You can do that, or we actually ended up using two small pieces that we cut off the end of our shelves to make them the right length. Since they were already the width of the shelves, they were already the perfect size.

Eek! You can see how much of a mess our foyer was during this whole process! I highly recommend completing this project in a garage, carport, outside, etc. Pretty much anywhere other than in your house. The entire room was covered in a thick layer of dust from all the cutting and sanding that took place to make this table happen.

Once Drew got longer screws, he screwed in those top supports and then attached the top to them from below. He also included one extra (1×3) support underneath the middle of the top of the table and attached it there too. Sorry that I don’t have pictures of that. He actually finished that part while I was out of town visiting family for a couple weeks. As you can see from this picture above, he also started puttying in the holes and sanding them down smooth while I was gone. Starting to look good! Even in this picture, before paint or anything, you can’t even tell where the screw holes were after they are puttied and sanded!

Once I was back in town, I gave it a little more putty, sanded a little more and then gave it a good cleaning. Make sure you have every bit of dust off before you start painting/staining. Also make sure that you lightly sand down the entire table, even parts that you didn’t have to putty, before starting to paint or stain. Lightly sanding takes off any rough edges, wood bits sticking out, etc. and really helps to lead to a smooth finish in the end.

Now on to the finishing process! (all the staining/sealing/painting took like 5 times longer than the actual building process!)

I decided to paint the base of the table, since all the putty holes wouldn’t have taken stain as well and would have stood out. But since the top of the table had all been attached from below and didn’t have any puttied holes, I decided to bring out the pretty wood tones with some dark stain.

Here are the products that I used– Pre-stain wood conditioner, Dark Walnut stain, and a water-based satin finish polyurethane. I find it easiest to apply all these products with simple, cheap, foam brushes (make sure you use a different brush for each product!).

One coat of pre-stain wood conditioner, dry time, and one coat of stain later — we are getting somewhere!

Here she is after two coats of stain!

After applying 1 coat wood conditioner, 2 coats of stain, I applied 3 coats of polyurethane. Follow all the directions on your products and do it how they say, making sure to leave the correct amount of dry time in between each coat. You can see, I also started my first coat of paint on the base here. I went with the same color as I used on our refinished headboard — Valspar (from Lowe’s) paint and primer in one in “Wedding Bells.” I think it is a really pretty soft, creamy white color.

You can see in the picture above how pretty the polyurethane made the finish on the top. I’m so happy I went with the satin finish. Personally, I think it is the perfect finish. Not as dull as a matte finish, but not as overly shiny as a gloss finish.

When painting the base — make sure that you lightly sand the whole thing down after your first coat of paint dries. I cannot stress this step enough. It really is essential to having a nice, smooth finished product. When applying the first coat of paint, little wood hairs get stuck in the paint and you can run your fingers over it and feel — it will have a grainy texture. You don’t want that. After it dries, lightly sand it all with 220 grit sandpaper until it is smooth to the touch. It will look so much better in the end.

Starting to look good! After sanding down your first coat, clean the whole thing with a wet rag to remove any dust then add your second coat of paint. Since my paint was paint & primer in one, it covered well, so I only did two coats total. Depending on the paint, you might need a third coat. Same with the shelves. Make sure to also sand those after the first coat as well.

Since I didn’t show it above during the building process, in the photo above you can better see the underneath top supports.

After all the painting, sanding, staining and sealing (that took much longer than implied by this post) I put my shelves back in, let all the paint cure for a few days (my polyurethane recommended that I let the top cure for 7 days before use), then got to work incorporating this piece into our home. Ready to see more of the final pictures?!

I love the way it looks in our house! It fits our style perfectly and is so meaningful since we designed and built it ourselves. It will definitely be a piece we treasure forever.

I love how functional it is as well! It works so great for several of our plants that need lots of light, it is great for storage for Drew’s electronic/office equipment (in the baskets from Target) and the whole shelf above is great for open storage as well.

I love that it also helps to define this room as an entryway of sorts. The little milk glass container on the top of the table I got for a few dollars at a thrift store and it works great for holding Drew’s keys, business card holder, etc that he takes out of his pockets when he gets home. I love that they have a place now instead of getting lost all over the house.

You can also see in these pictures how the soft white base of the table is more of a creamy white than a bright white (in comparison to the milk glass container).

I’m just in love with how awesome the wood finish of the top of this table came out! Isn’t it gorgeous!? Dark Walnut is my new favorite stain color. I love the caramel undertones in it. (I previously used Providential for staining my office desk and several other things and it has a slightly more reddish undertone than I like.)

I’m also thrilled with the fact that my foyer is clean and pretty again! I love the finished product of this table, but I’m so happy to be done with it! I hate when the whole house is a wreck while projects are being done! We can actually eat dinner in here again!

I love that it is visible from the living room as well!

Budget Breakdown:

Skinny old door: $28
Wood for building table base: $108
Paint for table base: $15 (I didn’t have enough left from our headboard makeover, so had to buy more)
Stain/Wood Conditioner/Polyurethane/Foam Brushes: $29
Wood Putty, Extra Screws, Sandpaper, etc… $10

TOTAL: $190 (just for table, storage baskets were an additional $58)

Not the cheapest project we’ve ever done, but one of our favorites for sure. Probably the most work of any project so far. Similar console tables from other stores can be several hundred dollars more, so I’m pretty pleased with ours.

Good luck building! Let me know if you end up making a table from these plans! I would love to see your finished product! 🙂

Last year, I shared my adventures in my beginning painting class, so I thought I would share with you a project I recently completed in my beginning printmaking class.

This project was a 3 color reduction woodcut. This means that we took a block of wood and carved out of the wood what we wanted to stay a certain color when we printed. Then we printed that for the first color, then carved more out, printed again, and carved out our final color then printed once more. Once you carve something out of the wood, there is no putting it back in, so it is a delicate process. Hence the name “reduction” and that fact that you are removing wood from the block and printing each time, you also have to remember that you have to do your white highlights and lighter colors first and then add your darker colors on top. Is any of this making sense? It is one of those “you have to see it to understand projects” so let’s look at some pictures.

These photos were taken with my phone while I was in the printing studio, so sorry for the not-so-great quality and shifts in colors. But you can still see that I did three different color schemes of three colors each for each of my prints. For the first layer, I carved out everything I wanted to remain white, and then I printed my first color on. Then I carved out everything I wanted to stay the first color and then printed on my second color. Then I carved out everything I wanted to remain my second color and then printed my last color.

Since there is no going back once you take part of the wood away and to allow for printing errors, I made a lot of prints to make sure I had enough for an edition of 3 in the end. I ended up with 10 or 12 of each in the end. Better safe than sorry though! That is a lot of pictures of my face!

I did all the printing by hand (no running through the press) by inking up my block, making sure my registration on my paper and my wood matched up and putting pressure on the paper for the ink to kiss off.

After all were printed and dry, I trimmed off the edges and was left with these beauties:

It is kind-of hard to see the true colors in these photos, but my color combinations were chartreuse – teal – navy, coral pink – orange – plum, and grey – hot pink – black. I think they really turned out neat!

I definitely enjoyed the woodcut process, although it definitely was a lot of work carving out the wood and printing all those copies by hand. I would definitely like to try it again though!

I know this might be an ambitious project for any readers out there without a lot of art experience, but you could easily do a similar project to make your own wood stamps for crafting projects. Just take a piece of wood, draw out your lines for your design, then pick up some wood cutting tools at your local art supply store and carve out your design. If you have good tools, it isn’t actually as hard to carve out the wood as you would think. Then you have a homemade stamp that you can use unlimited times without wearing out. This would be great if you needed a certain design for some kind of wedding or event project that you wouldn’t be able to find a pre-made stamp for somewhere else!

When I shared my crocheted blanket with you a couple weeks ago, it looked like this:

It was 8×12 squares and about 3×5 feet. Now, it looks like this:

It is now 12×14 squares and roughly 5 1/2 x 6 feet. I’m so happy to have it finished and have all the little threads woven in. (That part took forever!) The final blanket is really big actually. It fits all the way across our three cushioned couch. Drew and I can easily sit at different ends of the couch and still both cover up with it.

I really love the addition of the border! It makes it so much prettier! It also helped to align and pull the squares more evenly and straighten them out. The border also adds a nice ripple/lace effect. My mom and I used the same soft white color as I had used around the colored circles on the row of double crochets in the border, then switched to a cream color for the row of single crochets in the border, then went back to the soft white for the chain stitch loops on the edge of the border. I love the slight variation in the colors there.

So pretty! Now I need to get some different pillows and artwork for our living room to balance out this beautiful pop of color! 🙂

I love having pieces in our home that have so much love woven into them! This blanket is not only pretty, but sentimental as well, considering my mom and I both worked on it so hard for weeks over break, watching movies and television shows in front of the fireplace in my childhood home. I’m happy it now gets to live in my New Orleans home and remind me of those memories.

For more information on how I made this blanket, check out the original post with directions, here. 🙂